DersID |
Sınıf |
Dönem |
Ders Kodu |
Ders Adi |
Zorunluluk |
Teorik |
Pratik |
Kredi |
Ects | Lecture & In-Class Activities | Preliminary & Further Study | Land Surveying | Group Work | Laboratory | Reading | Assignment (Homework) | Project Work | Seminar | Internship | Technical Visit | Web Based Learning | Implementation/Application/Practice | Practice at a workplace | Occupational Activity | Social Activity | Thesis Work | Field Study | Report Writing | Öğrenme-Öğretme İşyükü Toplamı | Mid-Term Exam | Preparation for the Mid-Term Exam | Computer Based Presentation | Final Exam | Preparation for the Final Exam | Short Exam | Preparation for the Short Exam | Presentation of Report | Homework Assessment | Oral Exam | Presentation of Thesis | Presentation of Document | Expert Assessment | Ölçme - Değerlendirme Toplam İşyükü |
Genel Toplam |
Toplam işyükü / 25,5 |
Dersin AKTS kredisi |
1. Yarıyıl |
11390 | 1 | 1 | DRO113 | IMPROVISATION-I | Z | 0 | 4 | 2.0 | 4.0 | 56 | 14 | | 1 | | | 1 | 1 | | | | | 20 | | | | | | | 93 | 1 | 1 | | 4 | 1 | | | 0 | | | | | | 7 | 100 | | |
11396 | 1 | 1 | DRO141 | HISTORY OF DRAMA–I | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | | | 4 | 4 | | 2 | | | | | | | | | | | 52 | 1 | 1 | | 1 | 1 | | | 0 | | | | | | 4 | 56 | | |
88739 | 1 | 1 | ING121 | ENGLISH-I | Z | 2 | 0 | 2.0 | 4.0 | | | | | | | | | | | | | | | | | | | | 0 | | | | | | | | 0 | | | | | | 0 | 0 | | |
11399 | 1 | 1 | DRO143 | HISTORY OF CULTURAL THOUGHT-I | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | 1 | | 3 | 2 | | 1 | | | | | | | | | | | 49 | 1 | | | 1 | 1 | | | 0 | | | | | | 3 | 52 | | |
11397 | 1 | 1 | DRO145 | MYTHOLOGY-I | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | 1 | | 5 | 1 | | | | | | | | | | | | | 49 | 1 | 1 | | 1 | 1 | | | 0 | | | | | | 4 | 53 | | |
11392 | 1 | 1 | DRO111 | ACTING-I | Z | 2 | 2 | 3.0 | 6.0 | 56 | 56 | | 1 | | 2 | 10 | | | | | | 10 | | | | | | | 135 | 1 | 1 | | 4 | 10 | | | 0 | | | | | | 16 | 151 | | |
11393 | 1 | 1 | DRO131 | RHYTMICS–I | Z | 0 | 2 | 1.0 | 2.0 | 28 | 14 | | 2 | | | 1 | | | | | | 6 | | | | | | | 51 | 1 | 1 | | 2 | 1 | | | 0 | | | | | | 5 | 56 | | |
11395 | 1 | 1 | DRO121 | VOICE TRAINING–I | Z | 1 | 2 | 2.0 | 4.0 | 42 | 28 | | | | 1 | 3 | | | | | | 15 | | | | | | | 89 | 3 | 3 | | 3 | 3 | | | 0 | | | | | | 12 | 101 | | |
8827 | 1 | 1 | SSE101 | SOCIAL RESPONSIBILITY AND ETHICS | Z | 0 | 2 | 1.0 | 2.0 | 28 | 14 | | | | 1 | 1 | | | | | | | | | | | | | 44 | 1 | 2 | | 1 | 2 | | | 0 | | | | | | 6 | 50 | | |
1010 | 1 | 1 | TUR101 | TURKISH LANGUAGE-I | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | | | 2 | | | | | | | | | | | | | | 44 | 1 | 2 | | 1 | 2 | | | 0 | | | | | | 6 | 50 | | |
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|
|
TOPLAM |
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|
13 |
12 |
19 |
30 | 322 | 182 | 0 | 6 | 0 | 18 | 23 | 1 | 3 | 0 | 0 | 0 | 51 | 0 | 0 | 0 | 0 | 0 | 0 | 606 | 11 | 12 | 0 | 18 | 22 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 63 | 669 | | |
2. Yarıyıl |
88729 | 1 | 2 | BIL121 | INFORMATION TECHNOLOGY-I | Z | 2 | 0 | 2.0 | 2.0 | | | | | | | | | | | | | | | | | | | | 0 | | | | | | | | 0 | | | | | | 0 | 0 | | |
11403 | 1 | 2 | DRO114 | IMPROVISATION-II | Z | 0 | 4 | 2.0 | 4.0 | | | | 32 | | | | | | | | | 52 | | | | | | | 84 | | | | 1 | 18 | | | 0 | | | | | | 19 | 103 | | |
11405 | 1 | 2 | DRO142 | HISTORY OF DRAMA-II | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | | | 3 | 2 | | 2 | | | | | | | | | | | 49 | 2 | 1 | | 2 | 2 | | | 0 | | | | | | 7 | 56 | | |
88740 | 1 | 2 | ING122 | ENGLISH-II | Z | 2 | 0 | 2.0 | 4.0 | | | | | | | | | | | | | | | | | | | | 0 | | | | | | | | 0 | | | | | | 0 | 0 | | |
11407 | 1 | 2 | DRO144 | HISTORY OF CULTURAL THOUGHT-II | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | 1 | | 2 | 2 | | 1 | | | | | | | | | | | 48 | | | | 2 | 1 | | | 0 | | | | | | 3 | 51 | | |
11406 | 1 | 2 | DRO146 | MYTHOLOGY-II | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | 2 | | 2 | 3 | | | | | | | | | | | | | 49 | 1 | 1 | | 1 | 1 | | | 0 | | | | | | 4 | 53 | | |
11401 | 1 | 2 | DRO112 | ACTING-II | Z | 2 | 2 | 3.0 | 6.0 | 56 | 28 | | | | 5 | 12 | | | | | | 42 | | | | | | | 143 | 2 | 3 | | 2 | 4 | | | 0 | | | | | | 11 | 154 | | |
11400 | 1 | 2 | DRO132 | RHYTMICS-II | Z | 0 | 2 | 1.0 | 2.0 | | | | 3 | | | 10 | 9 | | | | | 20 | | | | | | | 42 | 2 | 3 | | 2 | 2 | | | 0 | | | | | | 9 | 51 | | |
11404 | 1 | 2 | DRO122 | VOICE TRAINING-II | Z | 1 | 2 | 2.0 | 4.0 | 42 | 42 | | | | | | | | | | | 14 | | | | | | | 98 | 1 | 1 | | 1 | 1 | | | 0 | | | | | | 4 | 102 | | |
2116 | 1 | 2 | TUR102 | TURKISH LANGUAGE-II | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | | | 2 | | | | | | | | | | | | | | 44 | 1 | 2 | | 1 | 2 | | | 0 | | | | | | 6 | 50 | | |
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|
|
TOPLAM |
|
|
15 |
10 |
20 |
30 | 210 | 126 | 0 | 38 | 0 | 14 | 29 | 9 | 3 | 0 | 0 | 0 | 128 | 0 | 0 | 0 | 0 | 0 | 0 | 557 | 9 | 11 | 0 | 12 | 31 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 63 | 620 | | |
3. Yarıyıl |
11414 | 2 | 1 | DRO245 | RESEARCH TECHNIQUES | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | | | | 2 | 2 | | | | | 2 | | | | | | | 48 | | | | 2 | 2 | | | 0 | | | | | | 4 | 52 | | |
1029 | 2 | 1 | ATA101 | ATATÜRK'S PRINCIPLES AND REVOLUTION HISTORY-I | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | | | 6 | 2 | | | | | | | | | | | | | 50 | 1 | 1 | | 1 | 1 | | | 0 | | | | | | 4 | 54 | | |
11411 | 2 | 1 | DRO221 | VOICE & SPEECH–I | Z | 0 | 3 | 1.0 | 4.0 | 28 | 28 | | | | 6 | 6 | | | | | | 28 | | | | | | | 96 | | | | 2 | 2 | | | 0 | | | | | | 4 | 100 | | |
11413 | 2 | 1 | DRO241 | HISTORY OF DRAMA–III | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | | | 2 | 1 | 1 | 1 | | | | | | | | | | | 47 | 1 | 1 | | 1 | 1 | | | 0 | | | | | | 4 | 51 | | |
11408 | 2 | 1 | DRO243 | DRAMATURGY-I | Z | 2 | 0 | 2.0 | 3.0 | 28 | 14 | | | | 9 | 9 | 3 | 4 | | | | 6 | | | | | | | 73 | 1 | 1 | | 1 | 1 | | | 0 | | | | | | 4 | 77 | | |
11412 | 2 | 1 | DRO231 | MOVEMENT-I | Z | 0 | 3 | 1.0 | 4.0 | 28 | 28 | | 6 | | | 6 | | | | | | 12 | 12 | | | | | | 92 | 2 | 2 | | 2 | 2 | | | 0 | | | | | | 8 | 100 | | |
11410 | 2 | 1 | DRO211 | ACTING–III | Z | 2 | 2 | 3.0 | 5.0 | 56 | 14 | | 15 | | | | | | | | | 30 | | | | | | | 115 | 1 | 5 | | 2 | 5 | | | 0 | | | | | | 13 | 128 | | |
11409 | 2 | 1 | DRO213 | CREATING A CHARACTER–I | Z | 2 | 2 | 3.0 | 5.0 | 56 | 14 | | | | | 3 | | | | | | 28 | | | | | | | 101 | 1 | 3 | | 2 | 16 | | | 0 | | | | | | 22 | 123 | | |
10485 | 2 | 1 | HAT201 | INTERPERSONAL COMMUNICATION | G | 3 | 0 | 3.0 | 3.0 | 28 | 28 | | | | | 4 | 4 | | | | | | | | | | | | 64 | | | | 1 | 11 | | | 0 | | | | | | 12 | 76 | | |
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|
TOPLAM |
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|
15 |
10 |
19 |
30 | 308 | 168 | 0 | 21 | 0 | 23 | 33 | 10 | 5 | 0 | 0 | 0 | 106 | 12 | 0 | 0 | 0 | 0 | 0 | 686 | 7 | 13 | 0 | 14 | 41 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 75 | 761 | | |
4. Yarıyıl |
1039 | 2 | 2 | ATA102 | ATATÜRK'S PRINCIPLES AND REVOLUTION HISTORY-II | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | | | 2 | | | | | | | | | | | | | | 44 | 1 | 1 | | 1 | 3 | | | 0 | | | | | | 6 | 50 | | |
11420 | 2 | 2 | DRO222 | VOICE & SPEECH–II | Z | 0 | 3 | 1.0 | 4.0 | 28 | 28 | | | | 8 | | | | | | | 28 | | | | | | | 92 | 2 | 2 | | 2 | 2 | | | 0 | | | | | | 8 | 100 | | |
11422 | 2 | 2 | DRO242 | HISTORY OF DRAMA-IV | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | | | 4 | 1 | | 1 | | | | | | | | | | | 48 | 1 | | | 2 | 1 | | | 0 | | | | | | 4 | 52 | | |
11416 | 2 | 2 | DRO244 | DRAMATURGY–II | Z | 2 | 0 | 2.0 | 3.0 | 28 | 14 | | 1 | | 14 | 2 | 6 | 4 | | | | 1 | | | | | | | 70 | 1 | 1 | | 2 | 2 | | | 0 | | | | | | 6 | 76 | | |
11421 | 2 | 2 | DRO232 | MOVEMENT-II | Z | 0 | 3 | 1.0 | 4.0 | 28 | 14 | | 10 | | | 10 | | | | | | 16 | 10 | | | | | | 88 | 4 | 4 | | 4 | 4 | | | 0 | | | | | | 16 | 104 | | |
11419 | 2 | 2 | DRO212 | ACTING–IV | Z | 2 | 2 | 3.0 | 6.0 | 56 | 42 | | | | | 10 | | | | | | 24 | | | | | | | 132 | 4 | 6 | | 4 | 6 | | | 0 | | | | | | 20 | 152 | | |
11417 | 2 | 2 | DRO214 | CREATING A CHARACTER–II | Z | 2 | 2 | 3.0 | 6.0 | 56 | 28 | | | | | 21 | | | | | | 18 | 14 | | | | | | 137 | 3 | 4 | | 2 | 8 | | | 0 | | | | | | 17 | 154 | | |
85978 | 2 | 2 | EFU417 | PEER GUIDANCE | G | 2 | 0 | 2.0 | 3.0 | | | | | | | | | | | | | | | | | | | | 0 | | | | | | | | 0 | | | | | | 0 | 0 | | |
81663 | 2 | 2 | MTF405 | EUROPEAN PALACE GARDENZ | G | 2 | 0 | 2.0 | 3.0 | | | | | | | | | | | | | | | | | | | | 0 | | | | | | | | 0 | | | | | | 0 | 0 | | |
88530 | 2 | 2 | SOS457 | CONTEMPOARY APPROACHES IN PEACE STUDIES | G | 2 | 0 | 2.0 | 3.0 | | | | | | | | | | | | | | | | | | | | 0 | | | | | | | | 0 | | | | | | 0 | 0 | | |
81705 | 2 | 2 | EFU493 | EDUCATION WITH COMPUTER GAMES | G | 2 | 0 | 2.0 | 3.0 | 42 | 28 | | 1 | | 1 | 1 | 1 | | | | | 1 | | | | | | | 75 | 1 | | | 1 | | | | 0 | | | | | | 2 | 77 | | |
81706 | 2 | 2 | EFU494 | MULTIMEDIA DESIGN AND PRODUCTION | G | 2 | 0 | 2.0 | 3.0 | | | | | | | | | | | | | | | | | | | | 0 | | | | | | | | 0 | | | | | | 0 | 0 | | |
17566 | 2 | 2 | THP203 | DIGITAL COMMUNICATION | G | 3 | 0 | 3.0 | 3.0 | 42 | 14 | | 1 | | | 1 | | | | | | | | | | | | | 58 | 1 | 1 | | 12 | 1 | 2 | 1 | 0 | | | | | | 18 | 76 | | |
81718 | 2 | 2 | MFY419 | FİNANCİAL LİTERACY | G | 2 | 0 | 2.0 | 3.0 | | | | | | | | | | | | | | | | | | | | 0 | | | | | | | | 0 | | | | | | 0 | 0 | | |
12117 | 2 | 2 | GZC201 | INTRODUCTION TO PHOTOGRAPHY | G | 3 | 0 | 3.0 | 3.0 | 42 | 14 | | 1 | | 1 | 4 | 4 | | | | | 4 | | | | | | | 70 | 1 | 1 | | 1 | 1 | 1 | 1 | 0 | | | | | | 6 | 76 | | |
81116 | 2 | 2 | HUK3017 | HUMAN RIGHTS (ECHR AND CASE LAW) | G | 2 | 0 | 2.0 | 3.0 | | | | | | | | | | | | | | | | | | | | 0 | | | | | | | | 0 | | | | | | 0 | 0 | | |
79012 | 2 | 2 | BSE388 | WOMEN AND EXERCISE | G | 3 | 0 | 3.0 | 3.0 | 42 | 28 | | | | | 1 | | | | | | | | | | | 1 | | 72 | | | | 1 | 1 | | | 0 | | | | | | 2 | 74 | | |
83116 | 2 | 2 | ISL330 | KARİYER PLANLAMA | G | 2 | 0 | 2.0 | 3.0 | | | | | | | | | | | | | | | | | | | | 0 | | | | | | | | 0 | | | | | | 0 | 0 | | |
81707 | 2 | 2 | EFU495 | INSTRUCTIONAL DESIGN | G | 2 | 0 | 2.0 | 3.0 | | | | | | | | | | | | | | | | | | | | 0 | | | | | | | | 0 | | | | | | 0 | 0 | | |
81708 | 2 | 2 | EFU496 | APPLICATIONS IN INSTRUCTIONAL TECHNOLOGY | G | 2 | 0 | 2.0 | 3.0 | 28 | 28 | | 4 | | 4 | 4 | 4 | | | | | | | | | | | | 72 | | | | 2 | 2 | | | 0 | | | | | | 4 | 76 | | |
81703 | 2 | 2 | EFU491 | RHYTHM DANCE AND ORFF TRAINING | G | 2 | 0 | 2.0 | 3.0 | 28 | 28 | | 4 | | | 4 | | | | | | 6 | | | 2 | | | | 72 | | | | 1 | 2 | | | 0 | | | | | | 3 | 75 | | |
69979 | 2 | 2 | EEE374 | CYBER SECURITY | G | 3 | 0 | 3.0 | 3.0 | 28 | 14 | | | | 14 | 6 | 4 | | | | | | | | | | | | 66 | | | | 2 | 4 | | | 0 | | | | | | 6 | 72 | | |
81731 | 2 | 2 | SOS449 | SOCIOLOGY | G | 2 | 0 | 2.0 | 3.0 | 28 | 14 | | | | 4 | 8 | | 8 | | | | | | | | | | | 62 | 1 | 2 | | 4 | 2 | 2 | 8 | 0 | | | | | | 19 | 81 | | |
81729 | 2 | 2 | PSI357 | TECHNOLOGY ADDICTION | G | 3 | 0 | 3.0 | 3.0 | 28 | 28 | | | | | 4 | 2 | | | | | 1 | | | | | | | 63 | | | | 4 | 6 | | | 0 | | | | | | 10 | 73 | | |
81489 | 2 | 2 | HUK492 | CONSUMER LAW | G | 2 | 0 | 2.0 | 3.0 | | | | | | | | | | | | | | | | | | | | 0 | | | | | | | | 0 | | | | | | 0 | 0 | | |
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TOPLAM |
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51 |
10 |
55 |
81 | 560 | 350 | 0 | 22 | 0 | 52 | 77 | 21 | 13 | 0 | 0 | 0 | 99 | 24 | 0 | 2 | 0 | 1 | 0 | 1221 | 20 | 22 | 0 | 45 | 45 | 5 | 10 | 0 | 0 | 0 | 0 | 0 | 0 | 147 | 1368 | | |
5. Yarıyıl |
11425 | 3 | 1 | DRO353 | FENCING-I | Z | 0 | 3 | 1.0 | 3.0 | 28 | 14 | | 16 | | | | | | | | | 8 | | | | | | | 66 | 4 | 1 | | 4 | 1 | | | 0 | | | | | | 10 | 76 | | |
11427 | 3 | 1 | DRO313 | PERFORMANCE–I | Z | 2 | 3 | 3.0 | 6.0 | 70 | 14 | | | | | | 3 | | | | | 30 | 30 | | | | | | 147 | | | | 4 | 2 | | | 0 | | | | | | 6 | 153 | | |
11426 | 3 | 1 | DRO311 | ACTING–V | Z | 2 | 2 | 3.0 | 6.0 | 56 | 14 | | | | | 15 | 15 | | | | | 15 | | | | | | | 115 | 6 | 6 | | 6 | 18 | | | 0 | | | | | | 36 | 151 | | |
11424 | 3 | 1 | DRO341 | TURKISH THEATRE-I | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | 1 | | 2 | 1 | 1 | 1 | | | | | | | | | | | 48 | 1 | 1 | | 1 | 1 | | | 0 | | | | | | 4 | 52 | | |
11445 | 3 | 1 | DRO331 | DANCE–I | S | 1 | 2 | 2.0 | 3.0 | 42 | 14 | | 3 | | | | | | | | | 14 | | | | | | | 73 | | | | 2 | 1 | | | 0 | | | | | | 3 | 76 | | |
11446 | 3 | 1 | DRO343 | TEXT ANALYSIS–I | S | 2 | 0 | 2.0 | 3.0 | 28 | 14 | | 1 | | 4 | 25 | 1 | 1 | | | | | | | | | | | 74 | | | | 2 | 1 | | | 0 | | | | | | 3 | 77 | | |
11444 | 3 | 1 | DRO351 | SINGING-I | S | 1 | 2 | 2.0 | 3.0 | 42 | 14 | | | | | | | | | | | 16 | | | | | | | 72 | | | | 3 | 1 | | | 0 | | | | | | 4 | 76 | | |
43320 | 3 | 1 | SAY301 | CORPORAL EXPRESSION AND PHYSICAL THEATRE I | F | 1 | 2 | 2.0 | 4.0 | 42 | 14 | | 14 | | | | | | | | | 14 | | | | | | | 84 | 3 | 6 | | 3 | 6 | | | 0 | | | | | | 18 | 102 | | |
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TOPLAM |
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11 |
14 |
17 |
30 | 336 | 112 | 0 | 35 | 0 | 6 | 41 | 20 | 2 | 0 | 0 | 0 | 97 | 30 | 0 | 0 | 0 | 0 | 0 | 679 | 14 | 14 | 0 | 25 | 31 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 84 | 763 | | |
6. Yarıyıl |
11431 | 3 | 2 | DRO354 | FENCING-II | Z | 0 | 3 | 1.0 | 3.0 | 28 | 14 | | 8 | | | | | | | | | 8 | | | | | | | 58 | 4 | 3 | | 4 | 3 | | | 0 | | | | | | 14 | 72 | | |
11433 | 3 | 2 | DRO314 | PERFORMANCE–II | Z | 2 | 3 | 3.0 | 6.0 | 70 | 14 | | | | | | | | | | | 27 | 27 | | | | | | 138 | 4 | 4 | | 4 | 4 | | | 0 | | | | | | 16 | 154 | | |
11432 | 3 | 2 | DRO312 | ACTING–VI | Z | 2 | 2 | 3.0 | 6.0 | 56 | 28 | | | | | 30 | | | | | | 30 | | | | | | | 144 | 2 | 2 | | 2 | 2 | | | 0 | | | | | | 8 | 152 | | |
11429 | 3 | 2 | DRO342 | TURKISH THEATRE-II | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | 1 | | 4 | 1 | | 1 | | | | | | | | | | | 49 | 1 | 1 | | 1 | 1 | | | 0 | | | | | | 4 | 53 | | |
11448 | 3 | 2 | DRO332 | DANCE–II | S | 1 | 2 | 2.0 | 3.0 | 42 | 14 | | | | | | | | | | | 18 | | | | | | | 74 | | | | 2 | 1 | | | 0 | | | | | | 3 | 77 | | |
11449 | 3 | 2 | DRO344 | TEXT ANALYSIS–II | S | 2 | 0 | 2.0 | 3.0 | 28 | 14 | | 1 | | 14 | 10 | | | | | | 6 | | | | | | | 73 | | | | 2 | 1 | | | 0 | | | | | | 3 | 76 | | |
11447 | 3 | 2 | DRO352 | SINGING-II | S | 1 | 2 | 2.0 | 3.0 | 42 | 14 | | | | | | | | | | | 16 | | | | | | | 72 | | | | 3 | 1 | | | 0 | | | | | | 4 | 76 | | |
46811 | 3 | 2 | SAY302 | CORPORAL EXPRESSION AND PHYSICAL THEATRE II | F | 1 | 2 | 2.0 | 4.0 | 42 | 14 | | 14 | | | | | | | | | 28 | | | | | | | 98 | | | | 3 | 6 | | | 0 | | | | | | 9 | 107 | | |
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TOPLAM |
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11 |
14 |
17 |
30 | 336 | 126 | 0 | 24 | 0 | 18 | 41 | 0 | 1 | 0 | 0 | 0 | 133 | 27 | 0 | 0 | 0 | 0 | 0 | 706 | 11 | 10 | 0 | 21 | 19 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 61 | 767 | | |
7. Yarıyıl |
11434 | 4 | 1 | DRO441 | CONTEMPORARY THEATRE–I | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | 1 | | 1 | 1 | 1 | 1 | | | | | | | | | | | 47 | 1 | 1 | | 2 | 1 | | | 0 | | | | | | 5 | 52 | | |
11436 | 4 | 1 | DRO413 | ACTING FOR CAMERA-I | Z | 1 | 2 | 2.0 | 3.0 | 42 | 14 | | 4 | | | 4 | | | | | | 3 | 1 | 2 | | | 1 | | 71 | 1 | 1 | | 3 | 1 | | | 0 | | | | | | 6 | 77 | | |
11435 | 4 | 1 | DRO401 | INDIVIDUAL PROJECT–I | Z | 2 | 2 | 3.0 | 5.0 | 56 | 42 | | | | 10 | | 7 | 2 | | | | 2 | | | | | 3 | | 122 | | | | 3 | 4 | | | 0 | | | | | | 7 | 129 | | |
11437 | 4 | 1 | DRO417 | PERFORMANCE–III | Z | 4 | 2 | 5.0 | 6.0 | 84 | 14 | | | | | | | | | | | 36 | 1 | 3 | | | | | 138 | 4 | 4 | | 4 | 4 | | | 0 | | | | | | 16 | 154 | | |
88725 | 4 | 1 | DRO447 | BUILDING A CHARACTER-I | Z | 2 | 0 | 2.0 | 2.0 | | | | | | | | | | | | | | | | | | | | 0 | | | | | | | | 0 | | | | | | 0 | 0 | | |
8765 | 4 | 1 | YUM301 | WORK PLACEMENT I | Z | 0 | 0 | 0.0 | 4.0 | | | | | | | | | | | | | | | 104 | | | | | 104 | | | | 1 | | | | 0 | | | | | | 1 | 105 | | |
11451 | 4 | 1 | DRO451 | CREATIVE DRAMA–I | S | 0 | 2 | 1.0 | 4.0 | 14 | 14 | | | | 15 | 3 | | | | | | 50 | | | | | | | 96 | 1 | 5 | | 1 | 4 | | | 0 | | | | | | 11 | 107 | | |
11450 | 4 | 1 | DRO443 | PLAY WRITING–I | S | 1 | 2 | 2.0 | 4.0 | 42 | 28 | | | | 8 | 20 | | | | | | 1 | | | | | | | 99 | | | | 3 | 1 | | | 0 | | | | | | 4 | 103 | | |
12992 | 4 | 1 | SAY427 | THEATER BUSINESS-I | F | 2 | 0 | 2.0 | 4.0 | 28 | 14 | | 30 | | | 26 | | | | | | | | | | | | | 98 | | | | 2 | 2 | | | 0 | | | | | | 4 | 102 | | |
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TOPLAM |
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14 |
10 |
19 |
34 | 294 | 140 | 0 | 35 | 0 | 34 | 54 | 8 | 3 | 0 | 0 | 0 | 92 | 2 | 109 | 0 | 0 | 4 | 0 | 775 | 7 | 11 | 0 | 19 | 17 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 54 | 829 | | |
8. Yarıyıl |
11442 | 4 | 2 | DRO442 | CONTEMPORARY THEATRE–II | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | | | 5 | 1 | | 1 | | | | | | | | | | | 49 | | | | 2 | 1 | | | 0 | | | | | | 3 | 52 | | |
8818 | 4 | 2 | GRI401 | ENTREPRENEURSHIP | Z | 2 | 0 | 2.0 | 2.0 | 28 | 14 | | | | | | | | | | | | | | | | | | 42 | 1 | 5 | | 1 | 7 | | | 0 | | | | | | 14 | 56 | | |
11443 | 4 | 2 | DRO414 | ACTING FOR CAMERA-II | Z | 1 | 2 | 2.0 | 3.0 | 42 | 14 | | 5 | | | 3 | 3 | | | | | 1 | 1 | | | | | | 69 | 2 | 1 | | 4 | 1 | | | 0 | | | | | | 8 | 77 | | |
11441 | 4 | 2 | DRO402 | INDIVIDUAL PROJECT–II | Z | 2 | 2 | 3.0 | 4.0 | 56 | 14 | | | | 20 | | 4 | | | | | 4 | | | | | | | 98 | | | | 4 | 1 | | | 0 | | | | | | 5 | 103 | | |
11440 | 4 | 2 | DRO418 | PERFORMANCE–IV | Z | 4 | 2 | 5.0 | 5.0 | 84 | 14 | | | | | | | | | | | 10 | 10 | | | | | | 118 | 3 | 3 | | 3 | 1 | | | 0 | | | | | | 10 | 128 | | |
88726 | 4 | 2 | DRO448 | BUILDING A CHARACTER-II | Z | 2 | 0 | 2.0 | 2.0 | | | | | | | | | | | | | | | | | | | | 0 | | | | | | | | 0 | | | | | | 0 | 0 | | |
57344 | 4 | 2 | DRO464 | COMMEDIA DELL ARTE | S | 2 | 2 | 3.0 | 4.0 | | | | | | | | | | | | | | | | | | | | 0 | | | | | | | | 0 | | | | | | 0 | 0 | | |
11455 | 4 | 2 | DRO452 | CREATIVE DRAMA–II | S | 0 | 2 | 1.0 | 4.0 | 28 | 14 | | 20 | | | 18 | | | | | | 20 | | | | | | | 100 | | | | 2 | 1 | | | 0 | | | | | | 3 | 103 | | |
11454 | 4 | 2 | DRO444 | PLAY WRITING–II | S | 1 | 2 | 2.0 | 4.0 | 42 | 14 | | | | 10 | 20 | | | | | | 13 | | | | | | | 99 | | | | 3 | 1 | | | 0 | | | | | | 4 | 103 | | |
12993 | 4 | 2 | SAY434 | THEATER BUSINESS-II | F | 2 | 0 | 2.0 | 4.0 | 28 | 28 | | | | | 20 | | | | | | | | | 20 | | | | 96 | | | | 2 | 3 | | | 0 | | | | | | 5 | 101 | | |
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TOPLAM |
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18 |
12 |
24 |
34 | 336 | 126 | 0 | 25 | 0 | 35 | 62 | 7 | 1 | 0 | 0 | 0 | 48 | 11 | 0 | 20 | 0 | 0 | 0 | 671 | 6 | 9 | 0 | 21 | 16 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 52 | 723 | | |