| Course-Programe LOs Relations |
| Compulsory Course Units |
| No |
Name of the Course Unit |
Programme Learning Outcomes |
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | T | % |
|---|
| 1 |
ATATÜRK'S PRINCIPLES AND REVOLUTION HISTORY-I | 1 | 1 | 3 | 2 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 3 | 3 | 4 | 1 | 3 | 1 | 3 | 1 | 1 | 47 | 33.57 |
| 2 |
ATATÜRK'S PRINCIPLES AND REVOLUTION HISTORY-II | 1 | 2 | 2 | 2 | 1 | 3 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 3 | 2 | 1 | 3 | 1 | 2 | 3 | 3 | 4 | 1 | 1 | 1 | 3 | 1 | 1 | 51 | 36.43 |
| 3 |
INFORMATION TECHNOLOGY-I | 1 | 2 | 2 | 1 | 1 | 3 | 1 | 1 | 2 | 2 | 3 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 5 | 1 | 3 | 5 | 3 | 1 | 1 | 3 | 2 | 55 | 39.29 |
| 4 |
INTRODUCTION TO ECONOMICS | 5 | 5 | 1 | 5 | 0 | 5 | 4 | 3 | 5 | 3 | 4 | 4 | 5 | 5 | 2 | 4 | 1 | 4 | 1 | 5 | 1 | 3 | 1 | 1 | 1 | 1 | 4 | 4 | 87 | 62.14 |
| 5 |
ENTREPRENEURSHIP | 0 | 5 | 0 | 5 | 5 | 4 | 3 | 4 | 4 | 4 | 4 | 3 | 4 | 5 | 4 | 5 | 0 | 4 | 4 | 5 | 4 | 4 | 4 | 0 | 4 | 5 | 5 | 5 | 103 | 73.57 |
| 6 |
ART HISTORY-I | 1 | 1 | 5 | 1 | 1 | 5 | 5 | 4 | 1 | 1 | 1 | 5 | 1 | 3 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 5 | 2 | 2 | 57 | 40.71 |
| 7 |
ART HISTORY-II | 1 | 1 | 5 | 1 | 1 | 5 | 5 | 4 | 1 | 1 | 1 | 5 | 1 | 3 | 4 | 1 | 1 | 1 | 1 | 5 | 5 | 5 | 1 | 1 | 2 | 5 | 2 | 2 | 71 | 50.71 |
| 8 |
PSYCHOLOGY OF VISUAL PERCEPTION | 0 | 0 | 5 | 0 | 0 | 2 | 1 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 5 | 5 | 5 | 5 | 2 | 5 | 5 | 0 | 0 | 46 | 32.86 |
| 9 |
MYTHOLOGY | 2 | 1 | 2 | 5 | 2 | 1 | 5 | 5 | 0 | 5 | 0 | 5 | 5 | 5 | 5 | 5 | 2 | 0 | 0 | 4 | 5 | 5 | 0 | 3 | 0 | 1 | 5 | 5 | 83 | 59.29 |
| 10 |
PUBLIC RELATIONS AND PUBLICITY | 1 | 1 | 3 | 1 | 4 | 4 | 2 | 5 | 3 | 2 | 1 | 2 | 2 | 1 | 0 | 3 | 3 | 2 | 0 | 4 | 3 | 3 | 1 | 5 | 5 | 5 | 5 | 5 | 76 | 54.29 |
| 11 |
BASIC PRINCIPLES OF LAW | 4 | 0 | 2 | 5 | 5 | 3 | 3 | 0 | 2 | 5 | 3 | 3 | 5 | 4 | 0 | 4 | 3 | 0 | 0 | 1 | 1 | 4 | 1 | 3 | 0 | 5 | 4 | 5 | 75 | 53.57 |
| 12 |
COPYRIGTHS LAW | 4 | 5 | 2 | 5 | 5 | 3 | 3 | 1 | 2 | 5 | 3 | 3 | 5 | 4 | 1 | 4 | 3 | 1 | 1 | 1 | 1 | 4 | 1 | 3 | 1 | 5 | 4 | 5 | 85 | 60.71 |
| 13 |
ENGLISH-I | 1 | 1 | 3 | 1 | 1 | 1 | 5 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 5 | 3 | 5 | 2 | 4 | 2 | 1 | 4 | 4 | 58 | 41.43 |
| 14 |
ENGLISH-II | 1 | 1 | 3 | 1 | 1 | 1 | 5 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 5 | 3 | 5 | 2 | 4 | 2 | 1 | 4 | 4 | 58 | 41.43 |
| 15 |
PROFESSIONAL ENGLISH-I | 1 | 1 | 5 | 1 | 1 | 3 | 5 | 5 | 1 | 3 | 1 | 5 | 1 | 3 | 3 | 4 | 3 | 4 | 4 | 5 | 5 | 5 | 3 | 5 | 5 | 1 | 5 | 5 | 93 | 66.43 |
| 16 |
PROFESSIONAL ENGLISH-II | 1 | 1 | 5 | 1 | 1 | 3 | 5 | 5 | 1 | 3 | 1 | 5 | 1 | 3 | 3 | 4 | 1 | 5 | 1 | 5 | 5 | 5 | 3 | 5 | 5 | 1 | 5 | 5 | 89 | 63.57 |
| 17 |
INTRODUCTION TO BUSINESS MANAGEMENT | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 5 | 5 | 5 | 3 | 5 | 5 | 3 | 4 | 3 | 4 | 3 | 5 | 3 | 2 | 1 | 5 | 4 | 3 | 4 | 4 | 80 | 57.14 |
| 18 |
BUSINESS ADMINISTRATION | 4 | 5 | 4 | 5 | 5 | 4 | 5 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 3 | 5 | 5 | 5 | 5 | 5 | 134 | 95.71 |
| 19 |
INTRODUCTION TO ORGANIZATIONAL BEHAVIOUR | 3 | 3 | 3 | 1 | 5 | 3 | 1 | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 1 | 4 | 5 | 5 | 1 | 5 | 3 | 2 | 1 | 5 | 3 | 5 | 5 | 5 | 103 | 73.57 |
| 20 |
HISTORY OF THOUGHT-II | 1 | 1 | 5 | 2 | 1 | 1 | 4 | 2 | 1 | 1 | 1 | 2 | 2 | 5 | 2 | 2 | 5 | 5 | 2 | 5 | 5 | 4 | 3 | 3 | 2 | 2 | 2 | 1 | 72 | 51.43 |
| 21 |
HISTORY OF THOUGHT-I | 1 | 1 | 5 | 2 | 1 | 1 | 4 | 2 | 1 | 1 | 1 | 2 | 3 | 2 | 3 | 1 | 1 | 2 | 1 | 5 | 5 | 4 | 1 | 2 | 3 | 4 | 2 | 3 | 64 | 45.71 |
| 22 |
INTRODUCTION TO COMMUNICATION THEORIES | 3 | 3 | 4 | 2 | 2 | 4 | 5 | 5 | 3 | 4 | 4 | 4 | 4 | 5 | 3 | 4 | 4 | 5 | 3 | 5 | 4 | 4 | 3 | 5 | 5 | 1 | 5 | 5 | 108 | 77.14 |
| 23 |
SOCIOLOGY OF THE ARTS | 5 | 2 | 5 | 3 | 3 | 5 | 5 | 2 | 3 | 4 | 3 | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 2 | 5 | 5 | 5 | 3 | 5 | 5 | 5 | 3 | 3 | 115 | 82.14 |
| 24 |
FUNDAMENTALS OF THE STAGE | 5 | 5 | 5 | 4 | 5 | 5 | 5 | 5 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 3 | 0 | 2 | 0 | 4 | 4 | 5 | 2 | 0 | 4 | 4 | 3 | 4 | 108 | 77.14 |
| 25 |
HISTORY OF THEATER-I | 4 | 0 | 4 | 0 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 5 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 5 | 5 | 5 | 3 | 0 | 0 | 0 | 0 | 0 | 39 | 27.86 |
| 26 |
HISTORY OF THEATER-II | 5 | 0 | 5 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 5 | 5 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 34 | 24.29 |
| 27 |
RESEARCH TECHNIQUES | 1 | 2 | 3 | 2 | 5 | 4 | 5 | 3 | 1 | 2 | 3 | 4 | 1 | 1 | 5 | 1 | 2 | 3 | 1 | 5 | 5 | 0 | 1 | 1 | 1 | 2 | 3 | 1 | 68 | 48.57 |
| 28 |
ARTS MANAGEMENT-I | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 4 | 4 | 4 | 5 | 0 | 5 | 5 | 5 | 5 | 5 | 0 | 5 | 5 | 5 | 5 | 5 | 127 | 90.71 |
| 29 |
ARTS MANAGEMENT-II | 5 | 5 | 5 | 5 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 4 | 4 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 1 | 5 | 5 | 5 | 5 | 5 | 132 | 94.29 |
| 30 |
HISTORY OF MUSIC | 0 | 0 | 5 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 5 | 5 | 2 | 0 | 0 | 2 | 1 | 0 | 33 | 23.57 |
| 31 |
HISTORY OF CINEMA | 4 | 1 | 5 | 1 | 1 | 1 | 5 | 5 | 1 | 1 | 2 | 4 | 1 | 5 | 2 | 2 | 5 | 2 | 2 | 5 | 5 | 5 | 1 | 2 | 4 | 4 | 3 | 2 | 81 | 57.86 |
| 32 |
ARTS MARKETING | 5 | 5 | 5 | 5 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 4 | 4 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 1 | 5 | 5 | 5 | 5 | 5 | 132 | 94.29 |
| 33 |
GRADUATION PROJECT-I | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 0 | 5 | 5 | 5 | 5 | 5 | 135 | 96.43 |
| 34 |
GRADUATION PROJECT-II | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 0 | 0 | 5 | 5 | 5 | 5 | 5 | 130 | 92.86 |
| 35 |
TEXTUAL WRITING | 0 | 0 | 5 | 0 | 0 | 2 | 0 | 5 | 0 | 0 | 0 | 3 | 3 | 0 | 1 | 3 | 2 | 5 | 4 | 5 | 5 | 5 | 5 | 1 | 5 | 5 | 5 | 5 | 74 | 52.86 |
| 36 |
GALLERY AND MUSEUM MANAGEMENT | 4 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 1 | 5 | 5 | 5 | 4 | 1 | 4 | 5 | 3 | 5 | 3 | 5 | 5 | 5 | 4 | 4 | 5 | 5 | 5 | 5 | 122 | 87.14 |
| 37 |
SOCIOLOGY | 1 | 4 | 5 | 4 | 4 | 5 | 4 | 4 | 1 | 2 | 1 | 4 | 4 | 3 | 4 | 1 | 1 | 3 | 2 | 5 | 5 | 5 | 1 | 3 | 5 | 4 | 2 | 4 | 91 | 65.00 |
| 38 |
SOCIAL RESPONSIBILITY AND ETHICS | 2 | 1 | 1 | 2 | 3 | 2 | 1 | 1 | 3 | 2 | 1 | 4 | 2 | 2 | 1 | 1 | 5 | 2 | 5 | 5 | 5 | 5 | 1 | 5 | 4 | 5 | 1 | 2 | 74 | 52.86 |
| 39 |
TURKISH LANGUAGE-I | 1 | 1 | 3 | 1 | 1 | 1 | 3 | 3 | 1 | 5 | 1 | 5 | 1 | 1 | 1 | 1 | 2 | 5 | 1 | 5 | 3 | 4 | 1 | 3 | 5 | 1 | 2 | 2 | 64 | 45.71 |
| 40 |
TURKISH LANGUAGE-II | 1 | 2 | 3 | 2 | 1 | 1 | 3 | 3 | 1 | 5 | 1 | 5 | 2 | 1 | 2 | 1 | 2 | 5 | 1 | 5 | 3 | 4 | 1 | 3 | 5 | 1 | 2 | 2 | 68 | 48.57 |
| 41 |
WORK PLACEMENT-I | 3 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 5 | 5 | 136 | 97.14 |
| 42 |
WORK PLACEMENT-II | 3 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 3 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 5 | 5 | 134 | 95.71 |
| 43 |
WORK PLACEMENT-III | 3 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 3 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 5 | 5 | 134 | 95.71 |
| Related number of course units / 43 | 38 | 36 | 42 | 37 | 37 | 39 | 42 | 40 | 37 | 38 | 37 | 41 | 39 | 40 | 37 | 39 | 37 | 38 | 36 | 41 | 42 | 40 | 39 | 38 | 38 | 41 | 40 | 39 | - | - |
|---|
| Level of contribution | 104 | 100 | 164 | 113 | 111 | 133 | 164 | 144 | 102 | 130 | 109 | 164 | 124 | 137 | 113 | 126 | 111 | 132 | 100 | 190 | 173 | 177 | 88 | 136 | 140 | 146 | 147 | 148 | - | - |
|---|
| *Level of Contribution (0-5): Empty-Null (0), 1- Very Low, 2- Low, 3- Medium, 4- High, 5- Very High |
| Programme Elective Course Units |
| No |
Name of the Course Unit |
Programme Learning Outcomes |
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | T | % |
|---|
| 1 |
TURKISH THEATRE | 5 | 0 | 5 | 0 | 3 | 0 | 5 | 0 | 3 | 0 | 0 | 5 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 5 | 5 | 5 | 2 | 0 | 0 | 5 | 0 | 0 | 49 | 35.00 |
| 2 |
CONTEMPORARY THEATRE | 5 | 0 | 5 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 5 | 5 | 3 | 0 | 0 | 5 | 0 | 0 | 43 | 30.71 |
| 3 |
FAIR, FESTIVAL AND EVENT MANAGEMENT | 4 | 5 | 5 | 3 | 4 | 4 | 4 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 2 | 5 | 5 | 4 | 3 | 5 | 5 | 5 | 0 | 3 | 4 | 2 | 5 | 4 | 115 | 82.14 |
| 4 |
CURATORSHIP | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 5 | 3 | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 135 | 96.43 |
| 5 |
ARTS AND THE NEW MEDIA | 0 | 1 | 5 | 2 | 1 | 5 | 5 | 3 | 1 | 1 | 1 | 5 | 1 | 3 | 1 | 2 | 1 | 2 | 2 | 5 | 5 | 5 | 5 | 1 | 4 | 4 | 1 | 1 | 73 | 52.14 |
| 6 |
HISTORY OF OPERA AND DANCE | 5 | 0 | 5 | 0 | 2 | 0 | 5 | 0 | 0 | 0 | 0 | 5 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 5 | 5 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 38 | 27.14 |
| 7 |
ARTS AND POLITICS | 5 | 0 | 5 | 0 | 5 | 0 | 5 | 0 | 0 | 0 | 5 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 5 | 5 | 0 | 0 | 0 | 5 | 0 | 0 | 50 | 35.71 |
| 8 |
PERFORMING ARTS | 5 | 0 | 5 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 5 | 5 | 3 | 0 | 3 | 5 | 0 | 0 | 46 | 32.86 |
| 9 |
EXHIBITION TECHNIQUES | 3 | 0 | 5 | 4 | 4 | 0 | 5 | 4 | 4 | 4 | 4 | 5 | 0 | 5 | 0 | 3 | 0 | 4 | 0 | 5 | 5 | 5 | 0 | 0 | 5 | 5 | 5 | 5 | 89 | 63.57 |
| Related number of course units / 9 | 8 | 3 | 9 | 4 | 7 | 3 | 9 | 4 | 5 | 4 | 5 | 9 | 3 | 6 | 3 | 4 | 3 | 4 | 3 | 9 | 9 | 9 | 5 | 3 | 5 | 8 | 4 | 4 | - | - |
|---|
| Level of contribution | 37 | 11 | 45 | 14 | 24 | 13 | 44 | 16 | 16 | 15 | 20 | 45 | 11 | 20 | 7 | 15 | 10 | 15 | 10 | 45 | 45 | 45 | 18 | 9 | 21 | 36 | 16 | 15 | - | - |
|---|
| *Level of Contribution (0-5): Empty-Null (0), 1- Very Low, 2- Low, 3- Medium, 4- High, 5- Very High |
| Faculty Elective Course Units |
| No |
Name of the Course Unit |
Programme Learning Outcomes |
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | T | % |
|---|
| 1 |
RECENT TENDENCIES IN CULTURE AND ARTS | 4 | 2 | 5 | 2 | 4 | 2 | 5 | 4 | 3 | 3 | 4 | 5 | 2 | 2 | 3 | 4 | 3 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 112 | 80.00 |
| 2 |
AESTHETICS AND PHILOSOPHY OF ART | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 5 | 5 | 0 | 0 | 3 | 5 | 0 | 0 | 33 | 23.57 |
| 3 |
CONTEMPORARY ART THEORIES | 5 | 0 | 5 | 0 | 0 | 4 | 5 | 0 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 5 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 39 | 27.86 |
| 4 |
ART ANALYSIS | 5 | 4 | 0 | 4 | 5 | 5 | 5 | 5 | 4 | 1 | 1 | 5 | 1 | 1 | 5 | 5 | 5 | 0 | 5 | 5 | 5 | 5 | 4 | 5 | 4 | 5 | 0 | 5 | 104 | 74.29 |
| 5 |
DESIGN AND VISUAL CULTURE | 5 | 0 | 5 | 0 | 0 | 0 | 5 | 3 | 0 | 0 | 0 | 5 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 5 | 5 | 5 | 5 | 0 | 0 | 5 | 0 | 0 | 52 | 37.14 |
| 6 |
ISLAMIC AND EASTERN ARTS | 1 | 1 | 5 | 1 | 1 | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 5 | 3 | 1 | 3 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 3 | 1 | 1 | 49 | 35.00 |
| 7 |
AVANGARD TRENDS IN WESTERN ART | 2 | 3 | 1 | 0 | 2 | 1 | 1 | 2 | 3 | 2 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 43 | 30.71 |
| 8 |
SEMIOLOGY AND ART | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 5 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 41 | 29.29 |
| 9 |
SOCIOLOGY AND ART | 1 | 1 | 4 | 3 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 5 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 5 | 5 | 5 | 1 | 1 | 1 | 1 | 1 | 1 | 52 | 37.14 |
| Related number of course units / 9 | 8 | 6 | 7 | 5 | 6 | 7 | 9 | 7 | 6 | 6 | 6 | 9 | 6 | 6 | 7 | 5 | 6 | 5 | 6 | 9 | 9 | 9 | 7 | 6 | 7 | 8 | 5 | 6 | - | - |
|---|
| Level of contribution | 24 | 12 | 26 | 11 | 14 | 17 | 31 | 21 | 13 | 9 | 10 | 37 | 7 | 10 | 20 | 15 | 12 | 12 | 16 | 35 | 36 | 35 | 19 | 15 | 18 | 26 | 10 | 14 | - | - |
|---|
| *Level of Contribution (0-5): Empty-Null (0), 1- Very Low, 2- Low, 3- Medium, 4- High, 5- Very High |
| University Elective Course Units |
| No |
Name of the Course Unit |
Programme Learning Outcomes |
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | T | % |
|---|
| 1 |
SPORTS CULTURE AND OLIMPISM | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 4 | 2.86 |
| 2 |
ASTRONOMY HISTORY | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 3 | 0 | 0 | 4 | 0 | 0 | 10 | 7.14 |
| 3 |
SOLAR SYSTEM | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 7 | 5.00 |
| 4 |
TURKISH ECONOMY | 0 | 5 | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 3 | 5 | 4 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 4 | 0 | 41 | 29.29 |
| 5 |
ENVIRONMENT AND CULTURE | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 5 | 0 | 0 | 0 | 5 | 0 | 0 | 21 | 15.00 |
| 6 |
HISTORY OF SCIENCE | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 6 | 4.29 |
| 7 |
INTRODUCTION TO PHOTOGRAPHY | 0 | 0 | 5 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 4 | 4 | 5 | 0 | 0 | 0 | 0 | 0 | 23 | 16.43 |
| 8 |
INTERPERSONAL COMMUNICATION | 0 | 3 | 0 | 3 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 3 | 4 | 4 | 0 | 0 | 0 | 0 | 0 | 4 | 4 | 0 | 3 | 0 | 5 | 4 | 0 | 0 | 42 | 30.00 |
| 9 |
FINANCIAL LITERACY | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 3.57 |
| 10 |
WORLD POLITICS AND TURKEY | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 4 | 0 | 0 | 3 | 0 | 0 | 13 | 9.29 |
| 11 |
RELIGION, CULTURE AND DEVELOPMENT | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 0 | 0 | 5 | 3.57 |
| 12 |
RUSSIA AND MINORITIES | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.00 |
| 13 |
ANNOUNCING BROADCAST NEWS AND DICTION | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.00 |
| 14 |
SUSTAINABLE DEVELOPMENT AND CINEMA | 0 | 0 | 5 | 0 | 0 | 0 | 5 | 3 | 0 | 0 | 0 | 3 | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 4 | 4 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 33 | 23.57 |
| 15 |
POLITICAL HISTORY OF EUROPE | 0 | 4 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 20 | 14.29 |
| 16 |
MOVEMENTS OF THOUGHT IN TURKISH LITERATURE | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 31 | 22.14 |
| 17 |
LINGUISTIC EFFECTS OF TURKISH LANGUAGE TO THE WORLD LANGUAGES | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 11 | 7.86 |
| 18 |
DIGITAL COMMUNICATION | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 3 | 0 | 0 | 1 | 3 | 0 | 0 | 19 | 13.57 |
| Related number of course units / 18 | 1 | 5 | 6 | 5 | 2 | 1 | 4 | 4 | 1 | 2 | 3 | 6 | 5 | 7 | 1 | 1 | 1 | 2 | 2 | 12 | 8 | 7 | 6 | 1 | 4 | 10 | 2 | 1 | - | - |
|---|
| Level of contribution | 1 | 17 | 18 | 12 | 3 | 1 | 9 | 10 | 1 | 4 | 5 | 13 | 13 | 20 | 1 | 1 | 1 | 4 | 4 | 37 | 27 | 23 | 19 | 1 | 8 | 32 | 5 | 1 | - | - |
|---|
| *Level of Contribution (0-5): Empty-Null (0), 1- Very Low, 2- Low, 3- Medium, 4- High, 5- Very High |
